{"id":1737,"date":"2011-10-01T13:20:39","date_gmt":"2011-10-01T13:20:39","guid":{"rendered":"http:\/\/www.joswassink.nl\/insight\/?p=1737"},"modified":"2011-10-01T13:20:39","modified_gmt":"2011-10-01T13:20:39","slug":"the-strength-of-glass","status":"publish","type":"post","link":"https:\/\/www.joswassink.nl\/insight\/?p=1737","title":{"rendered":"The strength of glass"},"content":{"rendered":"<p><strong><a rel=\"attachment wp-att-1738\" href=\"http:\/\/www.joswassink.nl\/insight\/?attachment_id=1738\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-1738\" title=\"RTEmagicC_DO-september-LR-1.jpg\" src=\"http:\/\/www.joswassink.nl\/insight\/wp-content\/uploads\/RTEmagicC_DO-september-LR-1.jpg.jpg\" alt=\"\" width=\"182\" height=\"258\" \/><\/a>For nearly a century architects have been dreaming of a material  as strong as steel and as transparent as glass. We have now learned so  much about glass that it is increasingly used as a sort of transparent  concrete. <\/strong><\/p>\n<p>TU  Delft has several world-renowned experts on glazing among its teaching  staff. Professor Mick Eekhout (Architecture) and his company, Octatube.  construct glazed roofs all over the world. Closer to home, the South and  East glazed atriums in the university\u2019s BK City are his creation.  Working to a tight schedule, Prof. Eekhout and his team expanded the  existing main building with two enormous cubes, largely constructed in  glass. For London\u2019s Victoria and Albert Museum, he constructed a  spectacular glazed roof over a building in the museum\u2019s courtyard.  Twisting, double-glazed panels rest on sloping laminated glass bearers  up to 11 metres long.<\/p>\n<p><a href=\"http:\/\/home.tudelft.nl\/fileadmin\/UD\/MenC\/Support\/Internet\/TU%20Website\/TU%20Delft\/Images\/Actueel\/Universiteitsbladen\/Delft_Integraal_2011-4\/DO_Eng\/Strenght_of_Glass.pdf\">Download as .pdf<\/a><\/p>\n<p><!--more--><\/p>\n<p>Alongside his positions in the faculties of  Architecture and Civil Engineering and Geosciences, Professor Rob Nijsse  also works with consultancy firm ABT, for whom he created the wavy  glass windows of Rem Koolhaas\u2019 building for the Casa da Musica in Porto,  Portugal. This year he surpassed himself with even larger wavy windows  at Antwerp\u2019s Museum aan de Stroom (architect Willem Jan Neutelings). As  well as being visually attractive, these wavy windows are stronger than  flat glazing, says Prof. Nijsse.<\/p>\n<p>Calculations show that the fluted glass  panels barely sway under the effect of the wind, keeping the forces on  the securing points to a minimum. Looking at these structures, it is  easy to forget what a fragile material glass is, and how unexpectedly it  can behave. But then Prof. Nijsse recalls the glass shelters at  Nijmegen\u2019s bus station: a glass sheet was placed carefully on its glass  bearer, and crack! Well, such things happen. Another time it was the  beam that gave way. \u201cThat\u2019s a strange sight,\u201d says the glazing expert  from behind his frameless spectacles. Prof. Nijsse subsequently  discovered that the holes in the beam were a little ragged. Peak  stresses are generated at those points, and any crack can be propagated  through the material at lightening speed. The Octatube factory also has  its collection of splintered glass panels. Recently, because crows  picked up stones from an adjacent roof and took great pleasure in  dropping them on Eekhout\u2019s glass roof. Once he realised what was  happening, he had the gravel stabilised with tar. Problem solved!  Eekhout puts things in perspective: \u201cIt\u2019s bound to break at some point,  but what matters is that the structure must never fall to the ground.\u201d<\/p>\n<h2>Find\u00a0Zappi<\/h2>\n<p>According  to Prof. Eekhout, architects\u2019 fascination for glass dates to the early  days of modernism, just after the First World War. People wanted to  escape pain, poverty and suffering, and consequently placed their hopes  in transparent, business-like designs and architecture, represented in  Germany by the Bauhaus movement and in the Netherlands by De Stijl. Back  in 1919, German architect Mies van der Rohe designed a transparent  skyscraper with glazed walls for Berlin. Forced to flee from Hitler, he  later built the skyscraper in Chicago. The Van Nelle factory in  Rotterdam dates from the same period, and expresses the same yearning  for clarity and transparency. The hope was that transparent buildings  would lead to a transparent society. This was before the bankers and  insurance companies developed their preference for mirrored glass.<\/p>\n<p>In  his inaugural lecture, when appointed a professorship in 1992, Prof.  Eekhout called for a quest for an imaginary building material called  \u201cZappi\u201d, which would be as transparent as glass and as strong as steel.  When Dr Fred Veer came to work with him in 1995, his task was: \u201cFind  Zappi!\u201d<br \/>\nDuring his quest, Veer has tested the strength of hundreds  of glass samples. There can be few people who have made as many  splinters as he has. He found that glass with a breaking stress of  around 30 MPa (N\/mm2) is not only 20 times weaker than steel, but also  that chance plays a major role. \u201cGlass almost always fails in places  where the edge has been damaged during manufacture,\u201d wrote Veer in an  article summarising ten years of research. Furthermore, glass failure is  immediately catastrophic: as soon as the breaking strain is exceeded,  the material loses all integrity. Only very recently has it become  possible to calculate the failure of glazed structures. Professor Jan  Rots (faculties of Architecture and CEG) explains that the finite  element method normally used to calculate forces in structures fails  with glass after the first crack. The results that come out of the  computer are then nonsensical. Prof. Rots devised a method to restart  the calculation after each crack. He calls this \u2018Sequential Elastic  Calculation\u2019. The results here tally with the reality in the case of  extremely brittle materials like glass.<\/p>\n<p>Veer has come up with a  practical method of inhibiting the spread of cracks. He constructed  panels and beams from smaller stacked elements. This can be achieved  using lightsensitive resins, with adhesive PVB (polyvinylbuteral) films,  or with the spectacularly strong Sentryglass (see the demos on  Youtube). He used this method to develop an eight-metre long hollow  beam, intended for use as an aquarium. Artist Stefan Gross thought it  would be great to use a completely transparent aquarium as a bridge  below the light source in the roof of the library. Veer designed, built  and tested the aquarium, but was refused permission to install it. Prof.  Eekhout felt the design was irresponsible and even dangerous.<\/p>\n<p>Veer  perfected the concept of glazed loadbearing structures with steel  reinforcement. Last year, Dr Christian Louter obtained his doctorate cum  laude with his thesis, \u201cFragile yet ductile\u201d. The basic idea was  simple: if the glass fails, steel must take up the stresses. For this,  Louter constructed a variety of multi-layered glass beams with an  internal laminated steel strip or wire along the underside. He then  loaded the beam well beyond the breaking stress of glass. A beam 1.5  metres long and 28 centimetres high was loaded with 1200 kilogrammes.  The glass creaked and cracked in various places, the beam bent several  centimetres, but it didn\u2019t fail. Lauter concluded that the construction  was safe, provided the stress remains below 15 N\/mm2. \u201cWe haven\u2019t  discovered transparent steel,\u201d notes Veer, \u201cbut glass can be used like  reinforced concrete, and it is considerably stronger than concrete.\u201d<\/p>\n<p>So  while we haven\u2019t found Zappi yet, we can do far more now with glass  than seemed possible 20 years ago. The constructive use of glass means  that ever-larger surface areas of structural glazing are possible with  increasingly less steel support. The glass ribs behind the 14-metre high  glass fa\u00e7ade of the Apple Shop in Boston and the Apple Cube in New York  (both designed by James O\u2019Callaghan) are good examples. We\u2019ve also got  better at avoiding pitfalls. Veer has already stated that cracks often  start at points of minor damage. Prof. Nijsse therefore takes no risks,  and has his wavy panes fitted with a steel profile fixed with elastic  acrylate while still in the factory.<\/p>\n<p>Prof. Eekhout sees it as  essential that design and execution should occur within the same  company. This avoids sloppiness and misunderstandings. He sometimes  worries about unforeseen hazards, and thinks of his experimental  projects as swords of Damocles, dangling above his head.  \u201cExperimentation during a project is risky, but it\u2019s essential for  innovation,\u201d he says Prof. Nijsse emphasises the need for further  research, for example into glazed columns and the use of adhesive  fixings for glass in place of steel connections. \u201cWe are now at the  front of the pack,\u201d he observes. \u201cBut the others are catching up.\u201d China  is already producing wavy glass. \u201cWe need to keep pushing the limits if  we are to retain our position.\u201d Prof. Nijsse is aiming to identify  three or four externally financed PhD students to continue the research:  \u201cOtherwise, we\u2019ll have to close down our lab.\u201d (JW)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For nearly a century architects have been dreaming of a material as strong as steel and as transparent as glass. We have now learned so much about glass that it is increasingly used as a sort of transparent concrete. TU Delft has several world-renowned experts on glazing among its teaching staff. Professor Mick Eekhout (Architecture) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,5],"tags":[46,199],"class_list":["post-1737","post","type-post","status-publish","format-standard","hentry","category-articles","category-delft-outlook","tag-architecture","tag-glass"],"_links":{"self":[{"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=\/wp\/v2\/posts\/1737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1737"}],"version-history":[{"count":0,"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=\/wp\/v2\/posts\/1737\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.joswassink.nl\/insight\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}